FORT WORTH SYMPHONY ORCHESTRA

SYMPHONIC CANVAS

SYMPHONIC CANVAS

Symphony No.1 | Bel Canto – A Symphonic Canvas

Jimmy López Bellido

FORT WORTH SYMPHONY ORCHESTRA
MIGUEL HARTH-BEDOYA, conductor

World Premiere Recordings [August 23 Release]

[MS1737]

$14.95

REVIEWS
“one of the most interesting composers anywhere today”
Chicago Sun Times
“adventurous and winning”
Denver Post
PROGRAM NOTES
It takes a village. Nothing could be truer of this album, which constitutes a milestone on many fronts, not only because composers only get to write one first symphony and one first opera, but also because it practically requires the stars to be aligned just so to have two works of this scale come to life – all the way from their inception, commissioning and programming, to their being performed and recorded by such an outstanding group of musicians. This has been a labor of love, and everyone involved in this project – from our sponsors, orchestra musicians, conductor, recording engineer, designers, photographers, videographers, administrative team, production team and record label – knows this. It is not enough for music to be commissioned; it must be performed. It is not enough for it to be performed; for it to be alive it must make its way to the repertoire; but we can’t stop there. Music must be available at all times, and the only way to ensure this is by recording it and making it available on multiple platforms, so that anyone anywhere may have access to it. It is this unshakeable conviction that kept driving us forward at the times of greatest difficulty and doubt. We are now proud to present Symphonic Canvas, a testament to our faith in the power of music, especially new music, and its ability to establish a direct channel of communications to new generations thirsty for change, new challenges, and innovation. The Epiphany Foundation, which my husband Heleno and I established in 2016, has been the catalyst by which all the generous donations that made this ambitious album were made. I offer my sincere thanks to every single person involved in this project. No contribution was too small and no voice was unheard. And now, may the music speak for itself.

Award-winning composer Jimmy López Bellido has created works performed by such renowned ensembles as the Chicago Symphony Orchestra, Philadelphia Orchestra, Boston Symphony Orchestra, Baltimore Symphony Orchestra, St. Paul Chamber Orchestra, Atlanta Symphony Orchestra and Fort Worth Symphony Orchestra. He currently serves as Composer-in-Residence with the Houston Symphony Orchestra through the 2019-2020 season. Internationally, his music has been performed by the Helsinki Philharmonic Orchestra, Philharmonic Orchestra of Radio France, Sydney Symphony Orchestra and the National Symphony Orchestras of Peru, Chile, Ecuador and Argentina, among many others. Further engagements include performances at Carnegie Hall; Germany’s Darmstadt and Donaueschingen music festivals; Nordic Music Days; the Aspen, Tanglewood and Grant Park music festivals; and the 2010 Youth Olympic Games in Singapore. López Bellido’s work Fiesta! has received more than 90 performances worldwide by several major orchestras, including those of Seattle, Colorado, Gothenburg, Leipzig, The Hague, Siberia and New Zealand, among others, making it one of today’s most performed contemporary orchestral works. Bel Canto, a full-length opera commissioned by the Lyric Opera of Chicago as part of the Renée Fleming initiative and based on the best-selling novel of the same name, premiered in December 2015 to widespread critical acclaim and was broadcast throughout the United States as part of PBS’ Great Performances series. In collaboration with Pulitzer Prize-winning playwright Nilo Cruz, López Bellido composed Dreamers, a 45-minute oratorio for Ana María Martínez and the Philharmonia Orchestra under Esa-Pekka Salonen, who gave the world premiere performance. A native of Lima, Peru, he studied at the city’s National Conservatory of Music with Enrique Iturriaga, and subsequently at the Sibelius Academy in Helsinki where he earned a Master of Music degree, studying with Veli-Matti Puumala and Eero Hämeenniemi. López Bellido completed his Doctorate in Music at the University of California-Berkeley with Edmund Campion. [ www.jimmylopez.com ]

Celebrating 30 years on the podium, Miguel Harth-Bedoya is currently Chief Conductor of the Norwegian Radio Orchestra and is in his 19th season as Music Director of the Fort Worth Symphony Orchestra. A Grammy-nominated and Emmy Award-winning artist, he is also the Founder and Artistic Director of Caminos del Inka, a non-profit organization that performs and promotes the music of the Americas. Harth-Bedoya has conducted top North American orchestras, including the Chicago Symphony Orchestra, Boston Symphony Orchestra, Cleveland Orchestra, Philadelphia Orchestra, New York Philharmonic, Los Angeles Philharmonic Orchestra, Saint Louis Symphony Orchestra, Atlanta Symphony Orchestra, Baltimore Symphony Orchestra and Montreal Symphony Orchestra. In Europe, he has led the London Philharmonic Orchestra, BBC Symphony Orchestra, BBC Scottish Symphony Orchestra, Orchestre de Paris, Orchestre National de Lyon, Berlin Radio Symphony Orchestra, Frankfurt Radio Symphony, Munich Philharmonic, Helsinki Philharmonic Orchestra and Royal Stockholm Philharmonic Orchestra, among others. Engagements in Australasia have included the Sydney Symphony Orchestra, New Zealand Symphony Orchestra, Tokyo Metropolitan Symphony Orchestra, NHK Symphony Orchestra and Malaysian Symphony Orchestra. Harth-Bedoya led two world premiere performances at the Santa Fe Opera: Jennifer Higdon’s acclaimed Cold Mountain and Osvaldo Golijov’s Ainadamar. Other opera productions include La bohème at English National Opera and Rossini’s Barber of Seville with the Canadian National Opera. Harth-Bedoya’s discography features recordings on the Harmonia Mundi, Deutsche Grammophon, Decca, Sony and FWSO Live labels. Also a passionate environmental advocate, he co-founded Cowboy Compost, a business geared to achieve food waste reduction [ www.cowboycompost.com ]. He is a champion of living composers and has a passion for commissioning, performing and recording new works. Harth-Bedoya received his Bachelor of music from the Curtis Institute of Music and his Masters of Music from The Juilliard School. [ www.miguelharth-bedoya.com ]

The Fort Worth Symphony Orchestra is deeply committed to uniting its community through performance, education and outreach, reaching an audience of more than 200,000 annually. Since its beginnings in 1912, the FWSO has been an essential thread in the city’s cultural fabric and the very foundation of Fort Worth’s performing arts. Music Director Miguel Harth-Bedoya has led the orchestra into the 21st century and to new levels of excellence. Under his leadership, the FWSO has performed at Carnegie Hall and the John F. Kennedy Center for the Performing Arts as part of SHIFT: A Festival of American Orchestras. Throughout his tenure, the FWSO has released 13 recordings, several of which feature world premieres, garnering international acclaim. Miguel Harth-Bedoya and the FWSO have embraced creative collaborations through residencies, partnerships and commissions. As the principal resident company of the acoustically superb Nancy Lee and Perry R. Bass Performance Hall, the Orchestra performs a full season of concerts featuring internationally-acclaimed guest artists and works by great composers of the past and present. The Orchestra performs and partners with the Texas Ballet Theater, Fort Worth Opera, The Cliburn, and Performing Arts Fort Worth. Each summer at the Fort Worth Botanic Garden, the FWSO presents Concerts In The Garden, a series of family-friendly concerts that has become a beloved city-wide tradition. The FWSO keeps exceptional musical experiences at the heart of its community. After all—life is better with music!
PROGRAM
JIMMY LÓPEZ BELLIDO (b.1978)
SYMPHONY NO.1 – THE TRAVAILS OF PERSILES AND SIGISMUNDA (2016)
I. Libro Primero
II. Libro Segundo
III. Libro Tercero
IV. Libro Cuarto

BEL CANTO – A SYMPHONIC CANVAS (2016)
I. Perú, Real and Unreal
II. La Garúa
III. The End of Utopia
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MS1737-Symphonic-Canvas.pdf ()



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