AMERNET STRING QUARTET

A TO Z: AMERNET PLAYS ZAIMONT

A TO Z: AMERNET PLAYS ZAIMONT

A Strange Magic (Quartet No.2), Sestina, Sonata-Rhapsody, The Figure, Verse

Judith Lang Zaimont

AMERNET STRING QUARTET
[Misha Vitenson & Franz Felkl, violins; Michael Klotz, viola; Jason Calloway, cello]
MISHA VITENSON, solo violin
JASON CALLOWAY, solo cello
JOHN WILSON, piano

World Premiere Recordings

[MS1709]

$12.95

LISTEN
PROGRAM NOTES
The music of Judith Lang Zaimont is dramatic and color-forward, expressing a wide range of distilled emotion with immediate impact. Even when it moves towards non-tonality, the way it develops to reach the eventual goal reveals underlying tonal pulls. Only in the last two decades has Zaimont’s music turned clearly string-forward. Both her second and sixth symphonies are for orchestral strings, and her two string quartets, which she terms “emblem” works, were written within the past eleven years. Each quartet serves as overt contrast to the other, and each reveals a particular aspect of Zaimont’s artistic personality.


The Amernet String Quartet has garnered recognition as one of today’s most highly regarded chamber ensembles. Consisting of violinists Misha Vitenson and Franz Felkl, violist Michael Klotz and cellist Jason Calloway, they have performed across the Americas and in Europe, Asia and the Middle East, appearing at prominent venues and international festivals. Amernet has collaborated with many of today’s most prominent artists and ensembles, including the Tokyo String Quartet and Ying Quartet, as quartet soloist with the Cincinnati Symphony Orchestra under Alan Gilbert, and with Shmuel Ashkenasi, Roberto Diaz, Gary Hoffman, Ida Kavafian, Anthony McGill, Sherrill Milnes and Michael Tree of the Guarneri Quartet. Early in their career, the ensemble won the Gold Medal at the Tokyo International Music Competition and First Prize at the Banff International String Quartet Competition. The Amernet Quartet, always committed to the music of our time, has commissioned works from today’s leading composers, including Anthony Brandt, Guillermo Carbo, John Corigliano, Orlando Garcia, John Harbison, Toshi Ichiyanagi, Pierre Jalbert, Bernard Rands, Morton Subotnick, Dmitri Tymoczko, Chinary Ung and Judith Lang Zaimont – with all working closely in performance and recording. Currently Ensemble-in-Residence at Florida International University in Miami, the quartet has previously enjoyed appointments with Northern Kentucky University and University of Cincinnati College-Conservatory of Music, and as the Ernst Stiefel Quartet-in-Residence at the Caramoor Center for the Arts. Their current season includes tours throughout Europe and Latin America, return engagements throughout the United States and Israel, and premieres of several new works.
[ www.amernetquartet.com ]
 
Violinist Misha Vitenson has given recitals and chamber music concerts throughout the United States, Canada, Europe, Israel and South America. A native of Uzbekistan, he began violin studies with his father, with later in Israel and at The Juilliard School. Vitenson’s numerous awards include prizes in international competitions, including the Aspen Music Festival Concerto Competition, National Society of Arts and Letters Violin Competition, Premio Paganini and Città d’Andria International Violin Competition in Italy, Pablo de Sarasate in Spain and HARID Conservatory Joseph Gingold Award for Excellence. Recent solo engagements include appearances with major orchestras in Israel, including the Israel Philharmonic under Zubin Mehta and the Israel Chamber Orchestra, a Brazilian tour with the Padova e Veneto Orchestra, and with the Aspen Music Festival orchestra, National Symphony Orchestra of Uzbekistan and the HARID Philharmonia. He is currently Artist-in-Residence at Florida International University.
 
Cellist Jason Calloway has performed to acclaim throughout North America, Europe, Middle East and in the Caribbean as a soloist and chamber musician. Calloway has also appeared at numerous festivals, including Spoleto USA, Blossom, Brevard, Encore, Great Lakes, Kingston, Music Academy of the West, Rockport, Sarasota, Sedona and Valencia, and abroad at Darmstadt and Klangspuren in Austria, Perpignan in France, Lucerne in Switzerland, Città della Pieve in Italy, Casals in Puerto Rico and Jerash in Jordan. A native of Philadelphia, Calloway is a graduate of The Juilliard School and the University of Southern California. He made his Carnegie Hall recital debut under the auspices of Artists International, and has performed in most of the major venues in the United States, including Alice Tully Hall, Steinway Hall, Museum of Modern Art, Disney Hall, Kennedy Center, Academy of Music and Kimmel Center. A dedicated advocate of new music, Calloway collaborates with and premieres with leading ensembles around the world hundreds of works by many of today’s most prominent composers, including Luciano Berio, Harrison Birtwistle, Elliott Carter, Mario Davidovsky, Oliver Knussen, Hans Werner Henze, Toshio Hosokawa, Karel Husa and Wolfgang Rihm. Currently Artist-in-Residence at Florida International University, Calloway was previously a member of the Biava Quartet.
 
Pianist John Wilson maintains a successful career as a soloist, chamber musician and orchestral pianist. A participant in the San Francisco Symphony Orchestra’s performances at Carnegie Hall in 2018, he is a top prize-winner in local and international piano competitions, and has performed extensively in major recital halls throughout the Western hemisphere and in Europe. As a chamber musician, Wilson has partnered with prominent soloists, including violinist Joshua Bell and soprano Audra McDonald. Also a dedicated advocate of contemporary music, Wilson has given world premiere performances of solo piano and small ensemble works by noted composers, including Michael Tilson Thomas and Reinbert de Leeuw.
 
The music of Judith Lang Zaimont, performed world-wide, is distinguished by a spirit of rhapsody, featuring sudden shifts in texture, instrumental coloring and atmosphere; it is widely acclaimed for its dynamism and emotion. Born in Memphis, Tennessee, and growing up in New York, Zaimont began piano studies with her mother, and then continued at Juilliard’s Preparatory Division with Rosina Lhevinne. Formal composition study was undertaken in graduate school at Columbia University with Otto Luening and Jack Beeson. Her large catalog of more than 120 works, many of which are prizewinners, includes music in every genre. Her awards in composition include a Guggenheim Fellowship, Aaron Copland Award, awards from both National Endowments, the Debussy Fellowship of the Alliance Française de New York, Woodrow Wilson Fellowship. Her music has also taken first prize in numerous composer competitions, including The American Prize, McCollin International Competition and the Gold Medal in the Gottschalk Centenary Competition. In recent years, her commissions have become required works for international and national performance competitions. Zaimont’s oeuvre includes six symphonies, music for wind ensemble, works for solo voice and chorus, a wide variety of solo instrumental and chamber music and two works on Century Lists. As writer and editor, she has published five books, including essays, several articles (including the 2009 Article of the Year in American Music Teacher magazine) and the three volumes of The Musical Woman: An International Perspective. A gifted pianist herself, Zaimont has been a professor of composition for 36 years at CUNY and the Peabody Conservatory, the music department chair at Adelphi University, and head of the composition program at the University of Minnesota. Zaimont has been the subject of nearly 30 dissertations, book chapters and interviews, and is actively commissioned and recorded. [ www.judithzaimont.com ]


All compositions published by Subito Music Corp.
 
PROGRAM
JUDITH LANG ZAIMONT
A STRANGE MAGIC – STRING QUARTET NO.2 (2016)

VERSE for Solo Violin (2008)

STRING QUARTET “THE FIGURE” (2008)
I. In Shadow
II. In Bright Light

SESTINA for Solo Cello (from “Tanya” Poems) (1998)

SONATA-RHAPSODY for Violin and Piano (2010)
I. Nocturne (Romantic)
II. Thinking 1
III. Aria (Sad)
IV. Thinking 2
V. Dance (Twisted)



MSR Classics