RAVEL REVEALED
Complete Piano Works of
MAURICE
RAVEL
Gwendolyn Mok
Performed on an ERARD grand piano
(c.1875)
MS1070
~ $19.95 (2CD Set)
Click to
hear Gwendolyn Mok's
CAPITOL
PUBLIC RADIO INTERVIEW
May, 2006
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Pianist
Gwendolyn Mok, who specializes
in the music of Maurice Ravel, has recorded the complete solo works on
a restored Erard concert grand dating from 1875,
similar to the piano the composer owned. There are no other existing recordings
today of Ravel's complete piano works on an Erard.
This 2CD set offers the discerning listener an opportunity to hear Ravel's music
as he heard it.
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A
letter from a fan to XM Satellite Radio:
Dear
Mr. Bachman,
I have been a seasoned FM classical music listener since childhood in the
late 1950's, but in recent years have been outside the broadcast range of the
nearest station in San Francisco. I recently subscribed to XM and now listen
nearly exclusively to your channel 110 (also, public radio each evening). I
know how difficult it is to satisfy an audience of listeners with generally
eclectic tastes. Your programming range of works and performers is excellent.
I would like to bring some very special recordings to your attention.
I have a particular passion for the Ravel solo piano works, and over the
years have "worn out" LPs of performances by Walter Gieseking and my
personal benchmark for these works, Robert Casadesus (a student of Ravel). I
also own CDs of the complete Ravel piano works by other artists including
Perlmuter, another student of Ravel. A couple of years ago, my understanding
and appreciation of Ravel piano music was transformed by a remarkable artist,
Ms. Gwendolyn Mok. I first heard Ms. Mok at the Mendocino Music Festival where
she performed Jeux d'eau and other pieces on a Steinway in a modest size
recital hall. Ms. Mok's technical capability is on the highest level,
necessary to faithfully render these works. As you may be aware, Ravel
was extremely detailed and explicit in his scores for performance dynamics,
phrasing, etc. and Ms. Mok is quite sensitive to these directives. I also
noted that she was in total command and respect of the dynamics of the
Steinway, and very careful not to "overplay" the instrument or hall.
I've heard several talented pianists play this same instrument in this hall,
and many have succumbed to the temptation to blow away the audience.
The real revelation came in the following weeks when I was able to play Ms.
Mok's CD recordings of the complete Ravel works. I don't know the details of
her academic training, but it is clear that she has devoted considerable
effort not only to the study of Ravel's music, but also to researching period
instruments of Ravel's era, in particular the type of Erard piano that Ravel
played. These instruments are characterized by their responsive action,
considerable dynamic range, generally more rapid decay of individual notes,
and a complex multiple-register variation in tonality, all of which calls on
the performer to be sensitive to these qualities. Each sequence of notes
is crisp and distinct no matter how rapid they are played, yet the fluidity of
texture (in any given passage calling for such) need not be compromised. She
recorded the Ravel on one such Erard piano, an impecably restored instrument,
which in combination with her interpretive skills and technical excellence,
provides us with a window into the beauty of Ravel creativity that is unique
in today's music world. In addition, you probably know how difficult it is to
record piano; the technical recording quality of this CD is the very best I
have ever heard.
Please consider playing the Mok performances from time to time. I
think you and your listeners will agree that they represent a quantum leap in
our understanding and appreciation of Ravel's work. I should also
emphasize that I am only a fan of Ms. Mok and have no commercial interest in
or ties to her career.
David
Menasian
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LISTEN
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CD1:
Sérénade grotesque (1893)
Menuet antique, (1895)
Pavane pour une infante défunte (1899)
Jeux d'eau (1901)
Sonatine (1903-5)
Miroirs (1904-5)
CD2:
Gaspard de la nuit (1908)
Menuet sur le nom d'Haydn (1909)
Valses nobles et sentimentales
(1911)
Prélude (1913)
A la manière deChabrier
(1913)
A la manière de Borodine
(1913)
Le Tombeau de Couperin (1914-1917)
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