Mozart Piano Sonatas
Volume I
Heidi Lowy
MS1026 ~ $12.95
"Ms. Lowy is a poet
and a communicator par excellence. Her technique displays impressive
power and passion...but she is also capable of gentleness and
tranquility...Phrases are shaped with much care...She is capable of producing a
near kaleidoscopic array of colors and she successfully captures the minutest
details of Mozart's scores, bringing them forth with an enviable and natural
ease absent in some of her competition...The sound quality is excellent,
expertly juxtaposing both intimacy and immediacy in a way that should make some
of the larger record companies green with envy." FANFARE,
MAY/JUNE 2005
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Heidi Lowy
began her
studies at the Juilliard School where she was a student of Leland Thompson.
She graduated from the Oberlin Conservatory with a Bachelor of Music as
a student of John Perry and received a Masters of Music and Distinguished
Performer's Certificate while a student of Cecile Genhart at the Eastman
School of Music. She attended L'ecole d'Arts Americaines in Fountainebleau,
France, where she was a student of Nadia Boulanger and played Mozart and
Ravel in the Master Class of Robert Casaesus. She was awarded the Wuslin
Fellowship for chamber music at Tanglewood Music Festival. There followed
her study with Leon Fleisher.
Heidi Lowy has performed
at Carnegie Recital Hall, Steinway Hall and Lincoln Center. Additional
performances included recitals at the Chrysler Museum in Norfolk, Virginia
and the Rochester and New Jersey Philharmonic Orchestras. A review of her
performance of the Schumann Piano Concerto stated... "Ms. Lowy has great
technical facilities, which always serve her for musical purposes... her
playing is poetic, sincere and strong at the same time..." Gustav Meier,
conductor.
The first six piano
sonatas are generally referred to as the "Munich" sonatas. Of these, the
initial three, K.279, 280 and 281, are each in three movements, the customary
Fast-Slow-Fast format, with the first movement in Sonata-Allegro form made
up of two main themes with a development section in between between; the
second movement simple and songful; the third either another Sonata-Allegro
or a Rondo, the latter a form which Mozart more or less invented and which
was distinguished by a recurrent unifying theme separated by contrasting
episodes.
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Wolfgang Amadeus Mozart
Sonata No. 1 in C major, K. 279
Sonata No. 2 in F major, K. 280
Sonata Mo. 3 in B-Flat major, K. 281
Sonata No. 4 in E-Flat major, K. 282
ALSO
AVAILABLE from HEIDI LOWY:
Mozart:
Piano Sonatas Vol.II Mozart:
Piano Sonatas Vol.III Mozart:
Piano Sonatas Vol.IV Mozart:
Piano Sonatas Vol.V Mozart:
Piano Sonatas Vol.VI
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