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SONGS
FROM ANOTHER PLACE NEW
VOCAL CHAMBER MUSIC by BRUNNER, HERBOLSHEIMER and LANG
MONICA HARTE soprano BRIAN
WILLSON
conductor
$14.95 ~ MS1297
"MSR
is a most enterprising firm that, like so many other pioneering independent
labels, is dedicated to the notion that the greatest of all music has not
already been enshrined in our recorded legacy. Composers far more contemporary
than those of my generation are assiduously redefining the art. Prokofiev once
stated that each age had to re-create music, and so, as is here most eloquently
evidenced, the beat goes on.
Morris Lang has served as associate principal
timpanist and percussionist with the New York Philharmonic for over 40 years.
Among his triumphs, he is the first person to have recorded Elliot Carter’s
Eight Pieces for Timpani. His settings of these Three Puerto Rican Songs
(fanciful texts by Ester Feliciano Mendoza) breathe some of the same air as
George Crumb’s settings of Garcia Lorca’s poems.
George
Brunner, born in
Philadelphia
and the founder of Electronic Music New York
in 1986, is also a sound engineer who has recorded music of Morton Feldman,
Joan La Barbara, and Richard Kostelanetz... Brunner’s Songs from
Another Place strikingly deploys the unlikely combination of soprano, double
bass, and electronic enhancements in support of otherworldly and somewhat
existentially unsettling texts by Mark Strand.
Ben
Herbolsheimer is a most prolific composer who has written over 500 works. His
The Visitation of the Priory of St. Michael the Archangel without Stamford
for soprano, speaker, and chamber ensemble deals with a 15th-century inquisition of a group of nuns who had
been accused of wrong doings of all types, including sexual licentiousness. It
ends in an inspired moment of hymnody. This is the most convoluted and, at 19
minutes, the largest and most multidimensional piece on this release, one that
delves deeply into, from the point of view of maleness, that most mysterious of
phenomena, the eternal feminine.
Monica Harte is in possession of a small, but
exquisitely controlled vocal instrument she uses to delve into the hearts of
these texts with uncanny powers of penetration, providing us with three journeys
into truly other places. Both the recorded sound and the contributions of the
instrumentalists similarly rise to the task." William Zagorski, Fanfare ~
November / December 2009
Three Puerto Rican Songs
is based on poems that were discovered on a trip to Puerto Rico in the early
1960s. The poetry is so sunny and honest that the piece almost wrote
itself. There are two percussion versions. One is for toy instruments:
coffee cans, pieces of wood, plastic pails, the back on a mixing bowl. In this
recording, we used the other version using four concert tom-toms, claves, conga
drum, bass drum, auto brake drums, vibraphone. We did still use the back of a
mixing bowl (and mouth sounds) under the recited part. The woodblock sound and
rhythm in the first movement is an imitation of the Coqui, a tree frog said to
be indigenous to Puerto Rico.
Songs from Another Place is
based upon six poems by Mark Strand. Although all were originally written
independently of one another, each poem so deeply inspired a feeling of the
"unknown" that they immediately felt like a cycle to me. Written for
Soprano, String Bass and Electronics, the cycle works and has been successfully
performed with and without the electronic component. The themes weave from
instrument to voice and back, each triggering the electronics as specific
dramatic effects. The effects used in this recording create various dream-like
qualities, including echoes, pitch variation, and distance among others.
The Visitation of the Priory of St.
Michael the Archangel Without Stamford is a fictional reenactment of a
mid-15th century yearly visit of a Bishop to a convent and the various nuns'
once-a-year chance to vent their spleen. The personality of each nun is evident
by her words and her music. And many of them mention Eleanor Croyland, the final
young nun to speak. She had a relationship with the young groundskeeper, who
said he was Jesus, the flower maker. Her final prayer is both a love song and an
avowal of her faith.
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Monica Harte has performed
more than 25 coloratura roles in the standard operatic repertoire and numerous
world premieres. She has also sung concerts throughout North America and Europe.
She is the soprano soloist on the critically acclaimed 2007 CD release,
McLeer's Requiem, and the CD Long Island Songs, which features
music by Tom Cipullo, Anne Phillips, George Brunner and Christian McLeer. She
recently recorded works by McLeer and David Buddin for The Tempest Project
CD to be released by POGUS Productions and the cycle Music in Motion for
Rob Voisey’s CD, Starlings. Ms. Harte is the General Director and
co-founder of Remarkable Theater Brigade, which produces contemporary operas and
concerts in New York City.
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* *
George
Brunner is an American composer and performer.
Born in Philadelphia, he founded Electronic Music New York in 1986 and has
worked as Producer with renowned composers such as Pauline Oliveros, Noah
Creshevsky, Morton Subotnick and Jean Claude Risset, among others. Mr. Brunner
is also the founder of the Brooklyn College Electroacoustic Music Ensemble and
the Director of the Music Technology Program for the Conservatory of Music at
Brooklyn College. His music has been commissioned for festivals and
concerts in the United States, Europe, Asia and South America, including
Electronic Music Midwest, Kungliga Musikhögskolan (Stockholm), and Institut
International de Musique Electroacoustique (Bourges).
Bern H.
Herbolsheimer has received international
recognition for his more than 500 compositions, encompassing ballet, symphony,
opera, chamber and choral works. His first opera, Aria Da Capo, won first
prize in the National Opera Association's New Opera Competition. Mark Me
Twain, his second opera, was commissioned and premiered by the Nevada Opera
and his Symphony No.1, an NEA commission, was premiered by the Florida
Symphony. His choral music is performed worldwide.
Morris Lang
has served as Associate Principal Timpanist and percussionist with the New York
Philharmonic since 1955. He has performed with all of the major conductors of
the twentieth century and participated in Bernstein’s Young People’s
Concerts and Live from Lincoln Center. He has participated in the
recording of more than 100 orchestral CDs and all the major works in the
percussion repertoire. His many publications include The Beginning Snare Drummer,
The New Conception, Dictionary of Percussion Terms. At PASIC 2000,
he was inducted into the Percussive Arts Society Hall of Fame, and later given a
Lifetime Achievement award by the Sabian Company and KOSA.
Nancy
Merriam has performed for audiences throughout the United States and her
native country, Canada. Her concert activities include solo, ensemble and
orchestral playing. Nancy particularly enjoys performing concerts of
contemporary music and concerts for children featuring the bass as a solo
instrument. A former member of the San Antonio Symphony, Nancy is currently a
freelance musician in the greater Philadelphia area.
Brian
Willson has conducted, performed and lectured in 21 countries. He has
performed with numerous noted artists, including Big Nick Nicholas, Frank Lacy
and Terry Silverlight. He also has several Broadway show tours to his credit.
His first CD, Things Heard Unheard, features Yuko Fujiyama and Dominic
Duval and was released on the Deep Listening Label. He is the drummer for the
Katy Roberts Quintet CD recorded in Paris, Live at L’Archipel. His
conducting experience includes two film scores, a CD for Jose Halac, improvised
music ensembles, and the Scandanavian-European tour of A Chorus Line.
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Morris Lang
THREE PUERTO RICAN SONGS for Soprano and Five Percussionists
Morning
Afternoon
Evening
George Brunner
SONGS FROM ANOTHER PLACE for Soprano, String Bass and
Electronics
The Key
One Song
My Body
The Place
The Edge
The Coming of Light
Bern Herbolsheimer
THE VISITATION OF THE PRIORY OF ST. MICHAEL THE ARCHANGEL
WITHOUT STAMFORD for Soprano, Speaker and Chamber Ensemble
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