"This is a very enjoyable organ recital, the tunes just familiar enough and the treatment just novel enough to sustain interest throughout. Splendid sound.”
Fanfare ~ July / August 2009

"Lovingly researched and expertly composed and arranged [this album is] a fitting representation of the remarkable dedication at the heart of Dr. Barbara Harbach’s life work. Her performances successfully transfer the music with vibrancy and a joyful respect... [This release arrives] with informative notes including an account of the many achievements of Dr. Harbach and the historical background to the music she has chosen and performed... the well chosen selection of hymns act as further endorsement of the level of respect which Barbara Harbach has for this particular genre.  [This album] is distinctly individual, expertly performed, and contain[s] a high degree of educational value. Harbach’s greatly admired authoritative position within the music world, and her abilities to perform the pieces with such command are all on display within these works. They provide a highly satisfying addition to any classical music collection.”
Jeff Perkins, BlogCritics ~ May 2009

"The art of the organ hymn paraphrase is something that goes back to the seventeenth century, and this very well-filled MSR disc features a variety of hymn settings, ranging from Harbach's growling, slightly discordant setting of "Sufferer" to her bright and radiant rendering of "Antioch" (i.e., "Joy to the World"). Harbach brings together an interesting mix of the hardy counterpoint and fugues common to the German tradition and the harmonic preferences and flourishes of the French approach, though many of the tunes are American...  the recording itself, made with an Aeolian-Skinner at Christ Church Cathedral in St. Louis, MO, is splendid. MSR and Barbara Harbach's Toccatas, Flourishes & Fugues will provide some interesting and fresh pieces to the attention of organists everywhere and likewise will bring enjoyment to those who welcome a novel twist on familiar hymn tunes as played on the organ.”
All Music Guide ~ April 2009

"These small pieces are what many would consider to be typical organ music, but there’s more to them than that for nothing this composer does is ordinary – there’s always something unexpected in there. Somewhere... Harbach is probably better known both as an organist and harpsichordist than as a composer but it is to be hoped that this will change and the three issues, so far, of her music on CD should be going along way to introducing her special art to English audiences. This disk is a fine example of her taste and capabilities in creating music for what is, after all, a fairly limited medium and one which hasn’t been visited too often by contemporary composers... The recorded sound is magnificent. Crisp and clear with a little reverberation but not so much that the music is lost in endless echo, for this full praise must go to engineer Roger Fredrickson for his perfectly placing the organ in the right aural setting... This is well worth investigating for, as always with Harbach, there’s so much to enjoy in her music.”
Bob Briggs of Music Web International, February 2009

“Barbara Harbach has distinguished herself as one of the preeminent American composers of any generation.”
All Music Guide ~ December 2007

American composer BARBARA HARBACH has a large catalog of works, including symphonies, works for chamber ensemble, string orchestra, organ, harpsichord, musicals, choral anthems, film scores, modern ballets, and many arrangements for brass and organ of various Baroque works. She is also involved in the research, editing and publication of manuscripts of eighteenth-century keyboard composers as well as historical and contemporary women composers. Her works are available in both recorded and published form through labels including MSR Classics, Naxos, Gasparo Records, Kingdom Records, Albany Records and Northeastern Records, and publishers including Hester Park, Robert King, Elkan-Vogel, Augsburg Publishing, Agape Music and Vivace Press.

Harbach has toured extensively as both a concert organist and harpsichordist, and her lively performances and recordings have captured the imagination of many American composers. The body of work written for and dedicated to Harbach is substantial. Musical America has called her "nothing short of brilliant," and Gramophone has cited her as an "acknowledged interpreter – and, indeed, muse – of modern harpsichord music." She was host of the weekly television music series Palouse Performance seen throughout the Inland Northwest.

Currently professor of music at the University of Missouri-St. Louis, Harbach holds academic degrees from Pennsylvania State University (BA), Yale University (MMA), Musikhochschule (Konzertdiplom) in Frankfurt, Germany, and the Eastman School of Music (DMA). In 2002, she received an honorary doctorate in music, honoris causa, from Wilmington College, Ohio for her lifetime achievement as a composer, performer, editor and publisher. Harbach is also the editor of Women of Note Quarterly.