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SOLOS
for the HORN PLAYER First
Complete Recording of the original Mason Jones horn solos
GREGORY MILLER
ERNEST
BARRETTA piano
$14.95 ~
MS1147
"The
readings by Gregory Miller...are accurate, cohesive, and expressive...Pianist
Ernest Barretta collaborates expertly."
American Record Guide ~ March / April 2007
"Gregory
Miller, a top-flight horn player, has recorded...the entire contents of
"Solos for the Horn Player"...[Mason Jones'] arrangements are
tasteful, sound wonderfully for the instrument and will give much pleasure...[a]
delightful disc."
Turok's Choice ~ April 2007
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ALSO
AVAILABLE by GREGORY MILLER: FROM
BACH TO BERNSTEIN Romantic Music for Horn and Piano  MS1096
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The
works contained within this CD have been recorded from the well-known book
entitled Solos for the Horn Player with Piano Accompaniment ~ Selected and
Edited by Mason Jones. Although originally published in 1962, these works
have never been recorded in their entirety until now. Internationally known by
soloists, teachers and students alike, this publication has long been considered
one of the staples of the horn repertoire. I was first introduced to them while
a student at Oberlin Conservatory. My teacher was Robert Fries, who studied
under Mason Jones and who, in fact, went on to become Co-Principal Horn with
Mason Jones in the Philadelphia Orchestra.
Although a majority of the works are arrangements by Mason Jones, a few of the
selections are original works for Horn and Piano. Mr. Jones has tastefully
arranged these works in keys most adaptable to the comfort range of the horn. It
is also of interest to note that they represent repertoire from chamber,
symphonic, operatic and solo literature.
My main purpose for recording these works was to provide young players the
opportunity to hear these works at a professional performance level. I thought
it appropriate to offer a recording of this book which is almost universally
used by teachers and students.
These works were recorded on
a Conn 8D, the very horn used by my teacher while a student and colleague of Mason
Jones.
Gregory
Miller is a Clinician for the Conn-Selmer
Company and plays the Conn 8D exclusively.
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Equally at home
as a soloist, teacher, chamber musician, and symphonic horn player, Gregory
Miller is one of the most accomplished horn players of his generation. After
five seasons with the internationally acclaimed Empire Brass, Mr. Miller has
performed in nearly every major concert hall in the world, including Carnegie
Hall, the Kennedy Center for the Performing Arts, Tokyo Opera City, the
Mozarteum, Petronas Towers, the Barbican, and Suntory Halls. His solo career
includes appearances with the Orquesta Sinfonia Nacional, San Jose, Costa Rica;
the Daegu City Symphony Orchestra, Daegu, South Korea; and the U.S. Navy Band.
Mr. Miller has been Professor of Horn at the University of Maryland School of
Music since 2000 and was appointed Chairman of the Wind and Percussion Division
in 2005. He has served on the faculties of Florida International University, the
Conservatory of Music at Lynn University, and the University of Hawaii. His
orchestral experience includes principal positions with the New World Symphony
under Michael Tilson Thomas and the Honolulu Symphony Orchestra. He has also
performed with the Pittsburgh, Jacksonville, National, Baltimore Symphony
Orchestras, and the Florida Philharmonic. Mr. Miller, a founding member of the
New World Brass Quintet, recorded the Ingolf Dahl Music for Brass Instruments on
the Argo Decca Label. His recordings with Empire Brass can be heard exclusively
on Telarc. In 2003, Mr. Miller released his debut solo album, From Bach to
Bernstein on the MSR Classics.
Active as a
recitalist and clinician, Mr. Miller currently serves on the faculties of the
National Orchestral Institute and the Las Vegas Music Festival. He has served on
the faculties of the Bowdoin Summer Festival and the Trombones de Costa Rica
International Brass Festival. In 1999, he was appointed an International
Principal at the Pacific Music Festival of Sapporo, Japan. Mr. Miller also
performed annually at the Monadnock Festival of New Hampshire, the Festival de
Musique de St. Barthelemy, and continues to perform with the Palm Beach Opera
Orchestra.
A native of
Youngstown, Ohio, Mr. Miller received his BM in Performance from the Oberlin
College Conservatory of Music where he studied with Robert Fries, former
co-principal horn of the Philadelphia Orchestra.
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Alessandro Stradella
(1642-1682)
Aria (Kirchen Arie 1667)
Henry Purcell
(c. 1659-1695):
I Attempt from Love’s Sickness to Fly
George Frideric Handel
(1685-1759) : I See a Huntsman (from Julius
Caesar)
Wolfgang Amadeus Mozart
(1756-1791):
Rondo (from Horn Quintet in E flat Major, K. 407)
Ludwig Van Beethoven
(1770-1827): Scherzo (from Septet , Op. 20)
Felix Mendelsshon
(1809-1847): Andante (from Symphony No. 5,
"Reformation")
Johannes Brahms
(1833-1897): Scherzo (from Serenade in D Major,
Op. 11)
Camille Saint-Saens
(1835-1921): Romance, Op. 36
Joseph Labor
(1842-1924): Theme and Variations, Op. 10
Charles Eduaord Lefebvre (1843-1917):
Romance, Op. 30
Alexander Glazunov
(1865-1936): Reveries, Op. 24
Paul Dukas
(1865-1935): Villanelle
Maurice Ravel
(1875-1937): Pavane pour une Infante défunte
Arthur Frackenpohl
(b.1924): Largo and Allegro
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